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1912年4月10日,号称 “世界工业史上的奇迹”的豪华客轮泰坦尼克号开始了自己的处女航,从英国的南安普顿出发驶往美国纽约。富家少女罗丝(凯特•温丝莱特)与母亲及未婚夫卡尔坐上了头等舱;另一边,放荡不羁的少年画家杰克(莱昂纳多·迪卡普里奥)也在码头的一场赌博中赢得了下等舱的船票。罗丝厌倦了上流社会虚伪的生活,不愿嫁给卡尔,打算投海自尽,被杰克救起。很快,美丽活泼的罗丝与英俊开朗的杰克相爱,杰克带罗丝参加下等舱的舞会、为她画像,二人的感情逐渐升温。1912年4月14日,星期天晚上,一个风平浪静的夜晚。泰坦尼克号撞上了冰山,“永不沉没的”泰坦尼克号面临沉船的命运,罗丝和杰克刚萌芽的爱情也将经历生死的考验。©豆瓣
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一艘宇宙飞船前往火星,起飞不久后机组成员却发现了一个偷渡者。由于这艘飞船的装备只能支持三名乘客,而且它的生命支持系统也受到了一些无法弥补的损害,机组成员们面临着一个不可能解决的问题。
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Small town bookstore owner Jamie Vaughn learns that hers and other struggling local businesses face closure by a powerful Portland property developer, led by architect and former flame Sawyer O'Dell. As Valentine's Day approaches and closure seems imminent, Jamie must not only hatch a heartfelt plan to save her beloved bookstore, but she must also sort out her past feelings for Sawyer.
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In the 1920s-1950s, millions of Appalachians left their homes in the mountains and migrated to urban Midwestern centers in Indiana, Illinois, Michigan and Ohio. The Mountain Minor is the story of a life-worn Charlie Abner, a generation later, as he struggles with leaving his present life and family in Ohio to return to the Kentucky mountain home and musical heritage that once defined him. The story is partially told in flashbacks to depression era Eastern Kentucky, when Charlie's parents, Oza and Vestal Abner, face the difficult decision to leave the way of life they know and move to Ohio for employment and better opportunities. The Mountain Minor is unique in that all of its principal actors are traditional musicians - such as Smithsonian Folkways artist Elizabeth LaPrelle and acclaimed banjoist and fiddler Dan Gellert - and they perform all of the music in the film. Deeply infused with the traditional Appalachian musical genres of Old Time and Bluegrass, The Mountain Minor tells an overlooked story about the people and culture behind the resurgence of American Roots Music today and highlights artful responses to the difficult circumstances of human migration.
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The title designates the heart of this film – a whale bone box tied with fishing net and found washed up on the shore. Is it an enigmatic object containing a secret? A relic, a survivor from a mysterious shipwreck, or perhaps possessing magic powers? No-one knows, except that it was given to Ian Sinclair, writer, filmmaker, psychogeographer and Andrew Kötting’s walking companion in his latest “jaunt- themed” films. They set out on an expedition to take this box from London to its place of origin, a beach on the Isle of Harris in Scotland’s Outer Hebrides. The trip is not to solve the mystery, but to feel its powers. In parallel to this journey, far away, is Andrew Kötting’s daughter Eden, who has already appeared in several of his earlier films. This film also sets off on a very different voyage. While, as Iain points out, the object seems “heavier and heavier, turning into a different substance”, Eden, suffering from Joubert syndrome, shapes the film with her unfathomable being. “What can you see? Where are you?” we hear, murmurs repeated throughout the film by the father addressing the young woman. From the depths of her sleep or adorned with a magnificent crown of flowers and binoculars, she is the film’s muse, its guide and oracle. This generous odyssey also takes us on a few detours, including via dead poets Basil Bunting and Sorley MacLean and the sculptor Steve Dilworth – and further still, with successive touches, via other boxes, other seas, other mysteries, other whales and other quests, from Pandora to Moby Dick. The film should also be heard as a cry from the depths, an offering and a magnificent ode to Eden, an artist whose work, Kötting tells us “is rooted in an elsewhere”. (N.F.)
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