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写实警匪片,以年轻女警到巴黎红灯区调查卖淫业为线索,展现巴黎地下社会的风情画。影片的套路很俗气。一个女警精明强干,发现一桩妓女谋杀案的作案手法与之前的数宗妓女被杀案件很相似,都有某种宗教仪式,都与一卖淫集团有牵连。女警决定假扮妓女亲自深入调查,结果却被具有迷人气质的嫌疑犯所吸引,而这似乎是一个要吞没她的圈套。
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The title designates the heart of this film – a whale bone box tied with fishing net and found washed up on the shore. Is it an enigmatic object containing a secret? A relic, a survivor from a mysterious shipwreck, or perhaps possessing magic powers? No-one knows, except that it was given to Ian Sinclair, writer, filmmaker, psychogeographer and Andrew Kötting’s walking companion in his latest “jaunt- themed” films. They set out on an expedition to take this box from London to its place of origin, a beach on the Isle of Harris in Scotland’s Outer Hebrides. The trip is not to solve the mystery, but to feel its powers. In parallel to this journey, far away, is Andrew Kötting’s daughter Eden, who has already appeared in several of his earlier films. This film also sets off on a very different voyage. While, as Iain points out, the object seems “heavier and heavier, turning into a different substance”, Eden, suffering from Joubert syndrome, shapes the film with her unfathomable being. “What can you see? Where are you?” we hear, murmurs repeated throughout the film by the father addressing the young woman. From the depths of her sleep or adorned with a magnificent crown of flowers and binoculars, she is the film’s muse, its guide and oracle. This generous odyssey also takes us on a few detours, including via dead poets Basil Bunting and Sorley MacLean and the sculptor Steve Dilworth – and further still, with successive touches, via other boxes, other seas, other mysteries, other whales and other quests, from Pandora to Moby Dick. The film should also be heard as a cry from the depths, an offering and a magnificent ode to Eden, an artist whose work, Kötting tells us “is rooted in an elsewhere”. (N.F.)
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