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In the 1920s-1950s, millions of Appalachians left their homes in the mountains and migrated to urban Midwestern centers in Indiana, Illinois, Michigan and Ohio. The Mountain Minor is the story of a life-worn Charlie Abner, a generation later, as he struggles with leaving his present life and family in Ohio to return to the Kentucky mountain home and musical heritage that once defined him. The story is partially told in flashbacks to depression era Eastern Kentucky, when Charlie's parents, Oza and Vestal Abner, face the difficult decision to leave the way of life they know and move to Ohio for employment and better opportunities. The Mountain Minor is unique in that all of its principal actors are traditional musicians - such as Smithsonian Folkways artist Elizabeth LaPrelle and acclaimed banjoist and fiddler Dan Gellert - and they perform all of the music in the film. Deeply infused with the traditional Appalachian musical genres of Old Time and Bluegrass, The Mountain Minor tells an overlooked story about the people and culture behind the resurgence of American Roots Music today and highlights artful responses to the difficult circumstances of human migration.

The title designates the heart of this film – a whale bone box tied with fishing net and found washed up on the shore. Is it an enigmatic object containing a secret? A relic, a survivor from a mysterious shipwreck, or perhaps possessing magic powers? No-one knows, except that it was given to Ian Sinclair, writer, filmmaker, psychogeographer and Andrew Kötting’s walking companion in his latest “jaunt- themed” films. They set out on an expedition to take this box from London to its place of origin, a beach on the Isle of Harris in Scotland’s Outer Hebrides. The trip is not to solve the mystery, but to feel its powers. In parallel to this journey, far away, is Andrew Kötting’s daughter Eden, who has already appeared in several of his earlier films. This film also sets off on a very different voyage. While, as Iain points out, the object seems “heavier and heavier, turning into a different substance”, Eden, suffering from Joubert syndrome, shapes the film with her unfathomable being. “What can you see? Where are you?” we hear, murmurs repeated throughout the film by the father addressing the young woman. From the depths of her sleep or adorned with a magnificent crown of flowers and binoculars, she is the film’s muse, its guide and oracle. This generous odyssey also takes us on a few detours, including via dead poets Basil Bunting and Sorley MacLean and the sculptor Steve Dilworth – and further still, with successive touches, via other boxes, other seas, other mysteries, other whales and other quests, from Pandora to Moby Dick. The film should also be heard as a cry from the depths, an offering and a magnificent ode to Eden, an artist whose work, Kötting tells us “is rooted in an elsewhere”. (N.F.)

1939年，卡齐米尔兹·皮耶霍夫斯基试图逃离党卫军后，在匈牙利边境被抓获，并被送往奥斯威辛，在那里他将尸体从毒气室转移到火葬场。在发现他在集中营里的朋友在行刑名单上后，他发誓要不惜一点阻止他的死亡。在第二次世界大战最显著的真实故事中，四个人在试图"逃离奥斯威辛"时冒着生命危险。

四眼仔和猥瑣男都是拍攝AV的演員，他們兩個經常在街上到處尋找目標。一天早晨，碰到了一位微胖的小姐路過，經過一番說服，最後終於讓小姐上車了，於是猥瑣男就和小姐在車上....而四眼仔覺得不公平,經過商得讓四眼仔先上,於是一大清早他們又出去尋找目標,非常的巧妙碰到了一位剛失戀的風騷女郎,四眼仔興奮的不行,於是.... 影片的最後，四眼仔和猥瑣男操過得兩位美女盡然相約一起去尋找他們，於是4人便開始了傳說

你想做这件事吗？” “挑战游戏”的致命诱惑 Florist Ae跑（维姬）和取证调查员珉豪（Choi Ryeong）从公共检察官办公室都有一个家庭，每个人都想要的。然而，珉豪无法处理的睡觉时间，Ae跑开始“挑战赛”中，她诱惑和性别与陌生男子。一天，Ae跑，珉豪遇到了亚历克斯（Choi Hyeon ho）在探戈咖啡厅。亚历克斯感兴趣的是AE跑和接近她，而AE跑感兴趣的亚历克斯谁是比她的丈夫更英俊.

　　女儿不在日本留学的妈妈寂寞。爸爸年轻女人和风的事实是，除了知道其原因，两人分居了。这老头的儿子是父亲的敌视妈妈安慰着。有一天，在美国的同事和朋友。她的旅日侨胞背带暂时回国。凄凉的房子好久没人，小聚会。

东日本大地震五年后的福岛，金泽美雪，和父亲一起住在临时住宅里，平时在市政府上班，到了周末就坐高速巴士前往涩谷做应召女郎。她骗父亲说是在东京的英语口语班学习。每到周一，她就回归在市政府上班的日常生活。她福岛和涩谷两个都市间来回往复，一直在追求着什么，而在她身边那些过着看不到未来的生活的人们，也在一边挣扎一边努力寻找着光明

新郎莫景谦在婚礼上发现新娘安诗慧已经去世，安排了长相无二的胞妹安诗凝替嫁。不负打击的莫景谦在家族压力下被迫接纳安诗凝，同时也展开了改造新娘的计划，莫景谦对安诗凝实施了一系列的报复行为，强行让他变为莫家的少奶奶，大家闺秀的姐姐安诗慧，安诗凝非常痛苦但为了家族都默默忍受，最后安诗凝终于有机会得到了演戏的机会，于是她非常珍惜，冒着生命危险也在所不惜，最终莫景谦被安诗凝坚韧善良的品质所打动，真正爱上了安诗凝。

二战末期，轴心国败局已定，作为“邪恶轴心”一员的日本更面临巨大危机亚太战场节节失利，两颗原子弹进一步摧毁了日本人的心理防线作为日本最高统帅的裕仁天皇（尾形一成 饰），此时此刻面临着痛苦的抉择 　　黑云压城城欲摧，这个身形瘦小的男人，他的内心世界无人能近…… 　　本片为俄罗斯导演亚历山大?索科洛夫“20世纪统治者三部曲”（亦作“统帅三部曲”）中的第三部，前后制作共花费8年时间，影片被评为2005年亚美尼亚埃里温国际电影节最佳影片

《29+1》改编自彭秀慧执导的香港大热同名舞台剧，主要讲述即将进入三十岁的两位女性，在面对大部分同龄女性都会面对的困扰时，选择了截然不同的人生态度 　　一个是即将踏入三十岁的林若君，面对压力升级的工作挑战、双亲病重、仿如鸡肋的爱情关系突然来袭的这些不安，令她感到前所未有的恐惧另一个同样是即将迎来三十岁的黄天乐，却永远乐天知命，不为生活所困扰，身患癌症却坚持环游世界，寻找爱情，甚至从未因为微胖身型错过美食 　　她们互不认识，性格各异，因缘际会林若君却搬进了黄天乐的家，没想到二人竟是同年同月同日出生，林若君通过黄天乐的日记阅读着对方人生点滴，两个女子在空气中互相融合，观照，影响到底是谁闯进了谁的世界

剧情描述文秀是文化大革命晚期的知青，她被选中跟随藏民老金学习牧马，老金在一场藏民的打斗中被割掉生殖器，并无一般男人的性欲妄念，文秀对他很快便从小心提防变成全然信赖。老金对这个十几岁的纯真小姑娘也疼爱有加。然而，场部过了约定的半年时间仍然不来接走文秀，令她逐渐产生焦急不安的心理，脾气变得暴躁，一股冤恨全向老金身上发泄。文秀渴望回家，便在供销员的甜蜜利诱下对他献上贞操。老金虽然明知文秀被玩弄，却有口难言，未几，文秀变成场部那些有办法的男人轮流玩弄的物件，并且完全无视老金的存在，对他颐指气使。老金忍无可忍，痛斥文秀出卖自己，文秀竟反唇相讥：“卖也没有你的份！” 　　文秀的牺牲并没有换到回城的机会，反而搞大了肚子，还不知道是哪一个人经手的。老金带着文秀怒气冲冲大闹场部，最后在绝望之下射杀了文秀再与她殉葬。