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杰里·宋飞时长一小时的全新特辑《杰里·宋飞:23 小时找乐子》巩固了他单口喜剧界巧匠的声誉。该特辑于 2020 年 5 月 5 日在 Netflix 独家上映,记录了宋飞在纽约灯塔剧院的一场壮观演出,并展示了他对日常生活的敏锐观察,揭示了平日里的喜剧元素。
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Sri Lankan-born Dilruk Jayasinha is one of the most in-demand headliners on the Australian scene. Dilruk has a reputation for consistently nailing his shows with his positive, upbeat brand of stand-up.
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Roberto Rossellini: un regista d’idee a servizio della conoscenzaRoberto Rossellini non fu mai solo un regista cinematografico, alla base del suo fare cinema ci fu costantemente la pressante consapevolezza della realtà e dei bisogni che da questa scaturivano.Filosofo del neorealismo ed esteta della macchina da presa, considerò sempre il cinema come uno strumento teorico in grado di diffondere il pensiero e, eleggendo gli uomini e il mondo sua principale fonte d’ispirazione, perseguì un cinema dell’etica che si ponesse come veicolo di conoscenza da contrapporre a quell’ignoranza che, secondo lui, snaturava gli uomini rendendoli indegni di tale nome.La lotta dell’uomo per la sua sopravvivenza appartiene al periodo televisivo di Rossellini; fu, infatti, nella televisione che il regista scorse un potente strumento sociale di diffusione di una cultura che concorresse a formare le coscienze e a diffondere le ideologie. La scelta della televisione, però, segnò soprattutto il passaggio a una nuova fase della poetica rosselliniana, l’abbandono del cinema narrativo e l’approdo a un cinema prettamente didascalico, dai tempi narrativi molto dilatati, impossibile da realizzare nei canonici tempi cinematografici.In questo senso, La lotta dell’uomo per la sua sopravvivenza rappresenta appièno questa nuova fase, arrivando addirittura a contemplare l’utopia di consegnare un documento enciclopedico della storia dell’uomo, dalle origini fino alla contemporaneità vissuta dal regista e oltre. La mole di dati storici fa di questo film un’opera monumentale che, tuttavia, Rossellini semplifica al massimo, cercando di trasmettere il sapere attraverso la concretezza delle immagini, attraverso una cronaca visiva degli avvenimenti narrati che sfronda la complessità del contenuto.Cinematograficamente la semplificazione va a ricongiungersi con l’essenza del cinema di Rossellini, l’uso del piano-sequenza, ancora e sempre, volto sì a cumulare dati informativi, ma anche, e soprattutto, a mostrare la conoscenza con le immagini.Di Amanda Romano
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警官詹姆斯·考菲(艾德·赫尔姆斯饰)很享受与凡妮莎·曼宁(塔拉吉·P·汉森饰)的新恋情,而凡妮莎 12 岁的爱子卡利姆(特伦斯·小加登海伊饰)则策划让他们分手。为了把妈妈的男朋友永远吓跑,卡里姆试图雇佣逃犯将他带走,但却意外地揭开了一个犯罪活动的秘密网络,使他的家人成为最新的目标。为了保护凡妮莎,卡里姆心不甘情不愿地与考菲联手在底特律展开了一场危险的追逐。导演迈克尔·道斯(《优步危机》《冰球坏小子》)执导的《考菲和卡利姆》是一部动作喜剧片,讲述了意外结下的友谊。联合主演:贝蒂·吉尔平、罗恩雷科·李、安德鲁·巴切勒和大卫·艾兰·格里尔。
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After escaping the clutches of an abusive relationship, Katie reluctantly returns to the foster home she grew up in. Little does she know, her foster mother Marge is harboring a sinister secret dating back a decade. Now, Katie finds herself caught up in a horrifying family drama while confronting an angry spirit named Abigail.
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You're Bacon Me Crazy is a deliciously charming love story about Cleo, a spunky young chef with a popular food truck. With the help of her niece Tessa, Cleo's handcrafted Italian sandwiches have become a favorite of the bustling and competitive Portland food scene. But when Gabe, the handsome chef of a rival food truck called the Bacon Wagon, parks across the street, Cleo's goal to win a local food truck competition takes a spicy turn. With Gabe's help and her family's encouragement, Cleo comes to learn that she's not going to win if she doesn't push herself. As she comes to realize that owning her own restaurant is what she wants most, she also begins to understand that her food isn't the only thing that could use some TLC. The only way Cleo can have everything she wants is if she adds the most important ingredient to both her cooking and her life. And that's love.
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The title designates the heart of this film – a whale bone box tied with fishing net and found washed up on the shore. Is it an enigmatic object containing a secret? A relic, a survivor from a mysterious shipwreck, or perhaps possessing magic powers? No-one knows, except that it was given to Ian Sinclair, writer, filmmaker, psychogeographer and Andrew Kötting’s walking companion in his latest “jaunt- themed” films. They set out on an expedition to take this box from London to its place of origin, a beach on the Isle of Harris in Scotland’s Outer Hebrides. The trip is not to solve the mystery, but to feel its powers. In parallel to this journey, far away, is Andrew Kötting’s daughter Eden, who has already appeared in several of his earlier films. This film also sets off on a very different voyage. While, as Iain points out, the object seems “heavier and heavier, turning into a different substance”, Eden, suffering from Joubert syndrome, shapes the film with her unfathomable being. “What can you see? Where are you?” we hear, murmurs repeated throughout the film by the father addressing the young woman. From the depths of her sleep or adorned with a magnificent crown of flowers and binoculars, she is the film’s muse, its guide and oracle. This generous odyssey also takes us on a few detours, including via dead poets Basil Bunting and Sorley MacLean and the sculptor Steve Dilworth – and further still, with successive touches, via other boxes, other seas, other mysteries, other whales and other quests, from Pandora to Moby Dick. The film should also be heard as a cry from the depths, an offering and a magnificent ode to Eden, an artist whose work, Kötting tells us “is rooted in an elsewhere”. (N.F.)
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Netflix剧集《副本/碳变》将拍一部动画电影。Netflix透露该动画的世界观来自原剧集,将探索新的元素。由佐藤大(《星际牛仔》《攻壳机动队》《混沌武士》)和Tsukasa Kondo(《HodoBuzz》)编剧,Anima制作。
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